Journal of the stylistic of Persian poem and prose
volume Number 14، number In Volume 2، May 2021 ، issue Number 60

review to the tradition and innovation in shahriyars poetry images

Fatemeh Yousefopour seyfi (Author in Charge)

Abstract
BACKGROUND AND OBJECTIVES: Shahriar has been called the traditional poet of the nouveau riche and this is the dominant feature in his speech; Whether in terms of subject matter and content, language or poetic imagery. In his poetic imagery, new and traditional are mixed; He incorporates stereotypical and repetitive images taken from the Persian lyric tradition in his poetry and uses it unconditionally, and also creates new and unprecedented images of contemporary phenomena and personal experiences by relying on personal experiences, personal vision and objectivism. In the present study, Shahriyar"s traditionalism and modernity in the field of poetic images have been studied and similes and metaphors in Shahriyar"s poetry have been re-examined from this perspective and have been scientifically and critically analyzed.
METHODOLOGY: The research method in this article is descriptive-analytical and the method of data collection is documentary (library). FINDINGS: The frequency of repetitive and clichéd images in Shahriyar"s poetry is very high and a large volume of his images are images derived from the Persian lyric tradition. The similes and images related to the aesthetic features of the beloved are almost entirely from the past, and his innovations in imagery are mostly related to contemporary phenomena, the features of modern life, and the poet"s personal experiences. CONCLUSION: Images that reflect the aesthetic features of the traditional lover are widely included in his poetry. Many of his poetic images of the beloved are taken from tradition and have been greatly influenced in this regard, especially by Hafiz. Shahriar has benefited more from simile and metaphor in illustration, and if he has innovated in the field of simile, he is more traditional in metaphor. In his poetry, less signs and symbols can be found, and this factor is also a sign of lack of individuality in the general visual system of Shahriar.

Keyword
Shahriar , poetic images , traditionalism , innovation

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